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metacritique: emulation
Using a Sculpture Park model, demonstrating how New
Technology rehabilitates Modernist constructs seemingly ill-suited to
the Information
Age of art.
Vladimir Tatlin's prescient double-helix, 'Monument to the 3rd International'
[intended to out-Modern Eiffel's tower with revolving
forms for Cinema, Telephone Exchange, & Information Ministry] has
remained unengineerable since its moment in 1920. Long viable only
as symbolic form, its reification in space is now an eventuality [left]
[right] Marcus
Novak's transarchitecture - existing predominantly
in Cyberspace - is algorithmically generated or 'bred' and, like Tatlin's
virtual structure,
can be interpreted as symbol & agitprop for radical innovation
beyond the realm of architecture per se.
algorithmic art ...tracing
the algorithmic beyond 'Computer Art' or 'Digital Art' to a broader,
more mature, Information Art and its context
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