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GRAHAM BUDGETT |
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| EDUCATION |
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1979 - 1982 1977 - 1978 1973 - 1977 |
Stanford University, California - M.F.A. Sculpture St. Martin's School of Art, London - Advanced Diploma, Sculpture [Photo/Video/Text] Nottingham Trent University, Nottingham - B.A. Fine Art |
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| EXPERIENCE |
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2004 _ continuing 2005 _ 2006 2005 _ 2006 1996 _ 2000 1996 _ 2000 1998 _ Fall 1999 _ 2003 1998 _ 2002 1998 _ 1999 1997 _ Spring 1987 _ 1995 1991 _ 1995 1990 _ Winter 1986 _ 1987 1982 _ 1985 |
Lecturer, New Media, Department of Art, University of California, Santa Barbara Researcher, Microsoft Research Cambridge, UK Researcher, WestmARC, University of Westminster, London, UK Acting Head of Digital Media, Department of Art, University of California, Santa Barbara Online Resources/Site Manager & Designer, Department of Art, University of California, Santa Barbara Lecturer, College of Creative Studies, UCSB [sculpture, structure, network] Co-producer & Media Editor, GALA Committee website [MPArt.com] Online Resources/Site Manager, Designer & Consultant, Digital World Research Centre, University of Surrey, UK Consultant, Science Policy Support Group, London, UK Visiting Lecturer, Kunstakademiet I Trondheim, Norway Lecturer, Photo-Arts, School of Communication, University of Westminster, London Lecturer, Fine Art, Middlesex University, London Visiting Lecturer, Art Department, Stanford University, California Resident Artist, Künstlerhaus Bethanien, Berlin Lecturer, Sculpture, Department of Art, University of California, Santa Barbara |
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| TEACHING UCSB |
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MAT200a MAT203 FS175 art132 art122 art122 art122 art120 art105 art102 art22 art19 art12 art7D CS20 |
algorithmic art DVD & narrative production experimental film* video & documentary practices exploring DVD territories body-space-time-machine GALAweb* situated photography sculpture & technomorphology intimate technology digital media arts strategies the language[s] of photography introduction to spatial studies introduction to contemporary practice III: art, science and technologies sculpture, structure, network |
http://www.arts.ucsb.edu/faculty/budgett/algorithmic_art/ http://www.arts.ucsb.edu/faculty/budgett/DVDprod.html http://www.filmandmedia.ucsb.edu/program/courses.html http://www.arts.ucsb.edu/faculty/budgett/classes/132/ http://www.arts.ucsb.edu/faculty/budgett/classes/122/ http://www.arts.ucsb.edu/faculty/budgett/courses/122/s02/ http://www.arts.ucsb.edu/mpart/ http://www.arts.ucsb.edu/faculty/budgett/classes/art120/intro.html http://www.arts.ucsb.edu/faculty/budgett/techmorf.html http://www.arts.ucsb.edu/faculty/budgett/classes/art102/ http://www.arts.ucsb.edu/faculty/budgett/classes/art22/ http://www.arts.ucsb.edu/faculty/budgett/classes/art19/intro.html http://www.arts.ucsb.edu/faculty/budgett/classes/art12/ http://128.111.69.6/~art7d/ http://www.arts.ucsb.edu/faculty/budgett/ccsculpt.html |
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| *[co-instructor w. Prof. Constance Penley - Film Studies, UCSB] | ||||
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GROUP SHOWS PUBLIC ART COMMISSIONS etc |
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| 2009 |
idea[s] for painting: dynamic hypertext mark-up language on art-historical substratum - www-based algorithmic artwork: --- http://www.arts.ucsb.edu/faculty/budgett/idea4paint.html --- landschaft mit argonauten: an object with no other cause than its name... - www-based interactive artwork: --- http://www.arts.ucsb.edu/faculty/budgett/castaroon/ --- castaroon!: an heuristic game of chance, subjectivity & significance - www-based algorithmic artwork: --- http://www.arts.ucsb.edu/faculty/budgett/castaroon/ --- sketches toward a fresh NEO-GEO canvas every 5 seconds for the duration of Western culture or "border control [red; white; blue; || green; white; red;]" - www-based algorithmic artwork: --- http://www.arts.ucsb.edu/faculty/budgett/borderControl.html --- The Container Project, Mobile Arts Lab II: major collaborators Jane Mulfinger and Billy Hood, Santa Barbara Museum of Art, SB County Arts, Casa de la Raza. REGRETS data gathering on State and Milpas Streets, Santa Barbara --- http://www.ucira.ucsb.edu/ContainerProjects/mobileartslab2.html --- REGRETS for Off-Axis and Santa Barbara Museum of Art [animated text projection on museum façade] REGRETS for Off-Axis and Santa Barbara County Arts Commission [animated text projection on City Hall façade] |
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| 2005 - 2008 |
REGRETS Paris: part of "Le Cube Festival",
Le Cube Centre de Création Numérique, Issy-les-Moulineaux, Paris REGRETS Santa Barbara: SB Museum of Modern Art and Casa de la Raza, Santa Barbara REGRETS Linz: part of Simplicity curated by John Maeda [MIT Media Lab], Ars Electronica 2006, Linz, Austria REGRETS Cambridge: an interactive archive, public artwork, & study - commissioned by MicroSoft Research Cambridge [MSRC], UK - supported by University of Westminster Applied Research & Consultancy [WestmARC] London, UK --- http://www.arts.ucsb.edu/faculty/budgett/regrets/ --- cMOI - collective MOBILE OPERATOR [& OTHER] IDENTITIES - part of project AURORA --- http://www.arts.ucsb.edu/faculty/budgett/cMOI/ |
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| 2003 - 2004 |
project AURORA: the dawn sprite of metahumanity; Project Leader --- http://www.arts.ucsb.edu/faculty/budgett/aurora/ --- MOMS: The Museum Of Modern Space; the first off-Earth Sculpture Park; Founding Director --- http://www.arts.ucsb.edu/faculty/budgett/moms.html --- The Fictive City & its Real Estate..., Leefahsahlung Gallery, Chinatown LA --- Media Production, Editing, & Design for Jane Mulfinger --- conductor: web-delivered animation & artist's DVD --- http://www.arts.ucsb.edu/faculty/budgett/conductor.html --- tripwired: a constellation of public & private domains; an interactive movie for virtual & actual space --- http://www.arts.ucsb.edu/faculty/budgett/tripwired.html --- |
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| 1998 - 2002 |
entropia
- a song for networks --- http://www.arts.ucsb.edu/faculty/budgett/entropia.html --- Art Faculty Exhibition, University Art Museum, UC Santa Barbara Portrait 2000, digital portrait commissions, Contemporary Arts Forum, Santa Barbara Melrose Plays, Gala Committee video installation in The Shooters Bar, Stuttgart Museum, Germany Primetime, Gala Committee - video installation, Neuer Aachener Kunstverein, Germany College of Creative Studies Faculty Exhibition, CCS Gallery, UC Santa Barbara |
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| 1994 - 1998 |
Screens, Kunstmuseum Trondheim, Norway A Dream of Urbanity, Stamford Street Gallery, London; Chapter Arts, Cardiff, Wales The Art Marathon, Orchard Gallery, Derry, Ireland; A Grey Area re-commissioned by BBC TV Arts, London Boxer, Walsall Museum [w. Jane Mulfinger]; installation A Grey Area commissioned by inIVA, London Boxer Tour: Centre for Creative Arts, Glasgow; Aspex Gallery, Portsmouth; Oldham Art Gallery, Oldham Figure and Landscape, Raab Gallery, Cork Street, London |
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| 1990 - 1994 |
Foto 1, Brick Lane Gallery, London Artificial Eden, Camerawork, London Lux, Banks, Hoggins, O'Shea, London Second International Photo Triennale, Esslingen Zeitmauer, Goethe Institute, London; Kuenstlerhaus Bethanien, Berlin; Stadtgalerie, Gera Force 10, Projects U.K., Newcastle; flag commissions for Glasgow 90 Festival and tour Passing Glances, The British Library, London; photo commissions for Artangel Trust, London A Social Outing, National Garden Festival '90, Gateshead; large-scale public sculpture commission Ghost Photography, Idea Gallery, Milan; Galleria Salla Uno, Rome Homage II, Flaxman Gallery, London London Passim, Casa Veneta-Muggia, Trieste |
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| 1988 - 1990 |
Lumo 89 - Boundaries of Photography, Alvar Aalto Museo, Finland Machine Dreams, Photographers' Gallery, London Contemporary Photomontage, Bluecoat Gallery, Liverpool A Man and a Woman, B4 Gallery, London. Ways of Telling, Oriel Mostyn, Llandudno; Old Library Gallery, Cardiff. Towards a Bigger Picture, Victoria and Albert Museum, London; The Tate Gallery, Liverpool The Invisible Man, parts I & II, Goldsmiths' Gallery, London Metro Billboard Project, Projects U.K., Newcastle, tour of public sites Homage to the Square, Flaxman Gallery, London Critical Montage, Small Mansion Arts Centre, London |
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| 1984 - 1988 |
Die Anweisung, U-Bahnhof Nollendorf-Platz, Berlin; billboard
commission with Jane Mulfinger Mythos Berlin, Anhalter Bahnhof, Berlin, audio-visual installation In a Right State, Camerawork, London; Side Gallery, Newcastle; Aspex Gallery, Portsmouth Singular Aspects, Eye Gallery, San Francisco Photoflow, Arlington Gallery, University of Texas Faculty Exhibition, University Art Museum, UC Santa Barbara |
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| 1980 - 1984 |
Competition, Contemporary Arts Forum, Santa Barbara Visions of Truth, Casa de la Raza, Santa Barbara Wonderful Things, Jan Baum Gallery, Los Angeles The Chair Show, Hansen Gallery, Santa Barbara Four Young Americans [sic], Mandeville Gallery, UC San Diego |
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| pre 1980 |
Critual, St Martin's School of Art, London [w. Sebastian Mendes] Young Contemporaries 1977, Royal Academy, London |
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| SOLO GALLERY |
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2008 2006 2006 1998 1996 1993 1992 1991 1990 1989 1988 1987 1985 1983 |
REGRETS Santa Barbara: The Museum of Modern Art and Casa de la Raza, Santa Barbara [with Jane Mulfinger] REGRETS Cambridge: an interactive archive, public artwork, & study [with Jane Mulfinger] Hanbury Terrain: time as a factor of depth, Platform Gallery, London [with Jane Mulfinger] weltanschauung for Screens, Kunstmuseum Trondheim, Norway them what trespass, Camerawork, London, UK Visible Cities, Berning & Daw Fine Art, London, UK Lost Charms, The Photographers' Gallery, London, UK Schneider-Bluhm-Loeb Gallery, Chicago, USA Chameleon Contemporary Art, Hobart, Australia Watershed Media Centre, Bristol, UK Berlin bei Nacht, Photographers' Gallery, London, UK Berlin bei Nacht, Goethe Institute, Rotterdam, Netherlands Berlin bei Nacht, Kuenstlerhaus Bethanien, Berlin, Germany A Brief US History, Camerawork, London, UK Ucen Gallery, University of California, Santa Barbara, USA |
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| PUBLICATIONS |
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| 2008 | SBMA's Electronic Poetics Brings in the Community,
by Beth Taylor-Schott, The Independent, Santa Barbara |
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| 2007 | Regret haunts baby boomers, by David Graham, The Star newspaper and website, Canada: --- http://www.thestar.com/comment/columnists/article/280376 --- "Haunted by Regrets?" by Nanna Mercer --- http://www.translatorscafe.com --- State of the Arts conference publication, Interdisciplinary Humanities Center, UCSB |
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| 2006 |
Simplicity, exhibition catalogue, Ars Electronica Festival, Linz Austria REGRETS Cambridge: a public conceptual artwork - commissioned by MicroSoft Research Cambridge, UK - supported by WestmARC [University of Westminster Applied Research & Consultancy] London, UK Project DVD [& projected publication]. |
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| 2000 - 2005 |
Boxing; A Cultural History, by Kasia Boddy, Lecturer Dept. of English, University College London, published by Reaktion Books, Ltd., A Grey Area, cited on p. 378. AURORA the dawn sprite of metahumanity - online & project DVD MOMS the Museum of Modern Space - online & project DVD The Fictive City & its Real Estate..., Jane Mulfinger - project DVD & book conductor, Graham Budgett - online & project DVD |
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| 1996 - 20XX |
online projects - archive: http://www.arts.ucsb.edu/faculty/budgett/ Boxer: An Anthology of Writing on Boxing and Visual Culture edited by David Chandler, John Gill, Tania Guha, Gilane Towadros MIT Press and the Institute of International Visual Arts, London, ISBN 0-262-53143-7 |
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| 1995 |
A Grey Area BBC2 television coverage in The Art Marathon 9/95 Boxer, book supplement to exhibition, inIVA [The Institute of International Visual Arts] London |
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| 1992 |
Zeitmauer, Goethe Institute,London 2nd International Photo Triennale, Esslingen, Germany |
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| 1991 | Graham Budgett - Lost Charms, Photographers' Gallery, London | |||
| 1990 |
London Passim, Gruppo '78, Trieste, Italy Passing Glances, post-card set, Artangel Trust, London Festival Landmarks, National Garden Festival '90, Gateshead Ghost Photography, Idea Books, Milan |
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| 1989 |
Lumo 89, Alvar Aalto-Museo, Finland Machine Dreams, Photographer's Gallery, London Ways of Telling, Oriel Mostyn, Wales |
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| 1988 |
Hiding in the Light [image: Angelus Novus], Dick Hebdige, Comedia, London The Invisible Man, Goldsmiths' Gallery, London Critical Montage, Small Mansions Arts Centre, London Metro-Billboard Project, posters, post-cards, Projects UK Newcastle |
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| 1987 |
Die Anweisung, exhibition catalogue, Berlin Berlin Bei Nacht, Kuenstlerhaus Bethanien, Berlin In a Right State, Camerawork, London |
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| 1985 | Photoflow, Arlington Gallery, University of Texas | |||
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| REVIEWS SCREENINGS | ||||
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The Fictive City & its Real Estate..., Leefahsahlung Gallery, Chinatown LA, [DVD for Jane Mulfinger], 5/2004 The Gala Committee', ORF, Austrian Television, 2000 Melrose Plays, video installation in The Shooters Bar, Stuttgart Museum, Germany, 2000 Primetime, video screening, Neuer Aachener Kunstverein, Germany, 2000 Gala Committee by Yilmaz Dziewior - ArtForum, Summer, 2000 A Dream of Urbanity, by John Stathatos, Art & Design, London, #50, pp. 8-11. 11/96 Starr Wars: Sarah Kent on the Turner Prize, by Sarah Kent, Time Out, London. 9/96 This Sporting Life, World Art Magazine, no. 4, England. 1/96 The Art Marathon, BBC Television, London, Nov. 95 Boxer, Emmanuel Cooper,Contemporary Art Magagazine, London, Winter 95 A Grey Area BBC2 television coverage in The Art Marathon 9/95 Boxer, by Sacha Craddock, The Times, London. 4/8/95 Blood on the Canvas, by Richard Williams, The Guardian, London, p. 18. 7/95 Fight For Life: Boxing is Human Survival as Spectacle, by C Smith, The Face, London. 7/95 Visible Cities, Graham Evans, Art & Design Magazine, London, 9/95 Foto 1, David Lillington, Time Out, London, 16/2/94 Artificial Eden, David Lillington, Time Out, London, 5/1/94 Zeitmauer, Rupert Wallrott, Neue Bildende Kunst, Berlin, 1/93 Die Welt im Bastelzimmer, Wolfgang Heine, Photo Presse, 5/11/92 Graham Budgett, Adrian Searle, Time Out, 30/9/92 Zeitmauer, David Lillington, Time Out, 25/3/92 Graham Budgett, Sarah Kent, Time Out, 29/1/91 Sold: the lost pyramid of Gateshead, The Journal, Newcastle, 20/2/91 Force 10, Simon Herbert, AND Magazine, London, #23,1991 Flags, Graham Budgett, AND Magazine, London, #23, 1991 Outside the Formal, Beryl Graham, AND Magazine, London, #21, 1990 Machine Dreams, The Late Show, BBC2 Television, 1/9/89 Machine Dreams, Kate Bush, Artscribe, London, #78, Jan. - Feb. 1990 Machine Dreams, Sarah Kent, Time Out, 1989 A Mischievous Glance Sideways, interview with Karen Hope; Ten-8 International,#34, 1989 Lumo 89, Hannah Castren, Keskisuomalainen, Helsinki, 18/10/89 The Camera Believes Everthing, Anu Uimonen; Helsingin Sanomat, Helsinki, 25/9/89 When Art Adopts Photography, Aamulehti, Helsinki, 24/9/89 Photo-text feature, Image magazine, Finland, #1, 1989 Cover and text, AND Journal of Art & Ed., London, #18, 1989 Photo-feature, The Observer, London, Section 5, 27/11/88 Critical Montage, Mark Currah, City Limits, London, 15/9/88 Berlin Bei Nacht, Sarah Kent, Time-Out, London, 22/6/88 Cover and text, Aesthetik and Kommunikation, Berlin, 2/88 Cover and text, AND Journal of Art & Ed., London, #13, 1987 Cover and text, Performance magazine, London, #50, 1987 Photo-feature and review, Zitty magazine, Berlin, #s 15 & 16, 1987 Photo-feature and review, TAZ newspaper, Berlin 20/6/87 Photo-feature, Tempo magazine, Munich, Germany, 6/6/87 In a Right State, review, Independent Media, London, #66, 1987 Review, Creative Camera, London, 5/5/87 Review, New Statesman, London, 15/5/87 Review, City Limits magazine, London, 14/5/87 Photo-feature, The Face magazine, London, #78, 1986 Review, Photo-Metro magazine, San Francisco, 2/86 Graffiti Wars, Daily Nexus, Santa Barbara, Ca, 1/11/85 |
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| PUBLIC COLLECTIONS | ||||
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Victoria & Albert Museum, London Alvar Aalto Museum, Finland Deutsche Bank, London |
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GRAHAM BUDGETT |
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